One continuous chase-cam take. A person drops into Sydney Harbour, tears across the red Outback, skims the Indian Ocean, blasts over snowy peaks and Europe at sunset, then sweeps along the Thames and lands on Westminster Bridge: a real touchdown, a crouch and a rise into a hero pose. The shot ends on a generated end frame, so you can make it you: create your own London end frame first, then run the flight.
Opens Splice with the model, prompt, settings and reference media loaded in the generator. New to Splice? You'll sign up first, free. This one costs more than the 100 free credits new accounts get.
Model & settings
Model
MiniMax H3
Cost
≈ 180 credits per generation (about $1.80)
Aspect ratio
16:9
Duration
15s
Resolution
768P
Prompt
One continuous 15-second shot, no cuts: one person flies from Australia to London at impossible speed and lands. They are the person standing in the final frame: keep their face, hair, body and outfit (charcoal bomber jacket over a white t-shirt, black trousers, white trainers) exactly the same in every frame. They fly naturally under their own power, with nothing propelling them, body straight and streamlined, hair and jacket reacting realistically to the airflow. An aggressive handheld chase camera follows them and never catches up.
0-2s SYDNEY: they drop into the frame from above, dive past the steel arch of the Harbour Bridge, level out a metre above the water and accelerate with a sonic boom that throws a wall of spray behind them.
2-4s OUTBACK: they tear low across red desert, a plume of red dust rolling up behind them, past a lone red rock.
4-6s INDIAN OCEAN: one metre above deep blue ocean, spray peeling off the water in their wake.
6-8s HIMALAYAS: they skim snowy peaks, blasting snow off a ridge, and punch through cloud.
8-10s EUROPE TO LONDON: they burst out of the cloud over Europe at an orange sunset and dive toward London in the same unbroken move, levelling out low over the River Thames.
10-15s THE LANDING, one continuous action: the camera drops in beside them and tracks them side-on along the Thames, their face in clear profile, toward Westminster Bridge and Big Ben. They swing upright, feet first, and brake hard: jacket and hair blown forward, a burst of spray and dust kicking up. Their trainers touch down on the bridge pavement, one foot then the other, knees bending deep into a crouch that absorbs the impact, one hand brushing the ground. The camera keeps moving round to a three-quarter angle in front of them as they rise slowly out of the crouch into a confident hero pose, hands on hips, and settles steady at chest height, Big Ben glowing behind them at dusk.
The camera never cuts and never jumps to a new angle. The person's body stays the same size and shape throughout; nothing about them is redrawn. Speed is shown only through water spray, dust, snow, cloud, airflow, motion blur and camera shake. No jets, no rocket trails, no light streaks or glow from their feet or hands, no portals, no teleporting, no glowing aura, no cape, no change of face or outfit, no sliding feet, no unnatural body movement, no on-screen text.
Fifteen seconds of gothic suspense, one continuous push-in. A collector studies a Victorian family portrait with a gap where the daughter should stand. A creak, he turns, and when he looks back she is there. The canvas bulges, a small painted hand grips the frame, and she starts to pull herself out while her painted parents watch. Built from a start frame and an end frame, so the story always lands.
The end frame for the Australia to London flight: one person standing on Westminster Bridge at dusk, Big Ben glowing behind them, in a grounded hero pose. Swap the reference photo for a photo of yourself and generate. Then use your still as the last frame of the flight video.
A 15-second, zero-cut steadicam fight in a 1990s action-movie look: from a steamy hotel kitchen through swinging doors into a golden banquet hall, improvised props, hits synced to a racing tango, and a slow-motion finish into a champagne pyramid. Replace the first frame with your own hero in your own location and rewrite the props and finishing move.
