Fifteen seconds of gothic suspense, one continuous push-in. A collector studies a Victorian family portrait with a gap where the daughter should stand. A creak, he turns, and when he looks back she is there. The canvas bulges, a small painted hand grips the frame, and she starts to pull herself out while her painted parents watch. Built from a start frame and an end frame, so the story always lands.
Opens Splice with the model, prompt, settings and reference media loaded in the generator. New to Splice? You'll sign up first, free. New accounts get 100 free credits — enough for this one.
Model & settings
Model
MiniMax H3 Max Turbo
Cost
≈ 90 credits per generation (about $0.90)
Aspect ratio
16:9
Duration
15s
Resolution
768P
Prompt
Photorealistic cinematic gothic suspense, one continuous 15-second scene in a dark private gallery in an old mansion, warm candlelight and deep shadows. Exactly one man: the collector with short grey hair, a trimmed grey beard and a charcoal three-piece suit, the same face throughout. Exactly one large Victorian family portrait in a carved gilt frame: a realistic oil painting with visible brushstrokes of a stern father and a pale mother standing far apart, with an empty gap between them where their daughter should be. The painted parents never move.
[0-3s] Medium-wide: the collector walks slowly toward the portrait and stops, studying the empty gap between the parents. He leans closer.
[3-5s] A soft creak behind him. He turns his head to look over his shoulder at the empty, candlelit gallery. Nothing there.
[5-7s] He looks back at the painting. The painted daughter is now in the gap: a small girl in a white Victorian lace dress with dark ringlets, made of oil paint like her parents, standing right at the front of the canvas, almost pressed against the painted surface, staring straight at him. He backs away a step.
[7-10s] The canvas bulges outward from the inside where she stands, as if someone is pushing through it, the paint surface stretching and cracking.
[10-12s] The canvas tears. A small painted hand breaks through and grips the bottom of the gilt frame. The collector stumbles backward, raising a hand.
[12-15s] The painted daughter pulls her head, shoulders and arms out through the torn canvas, staring at him, while the painted father and mother stay exactly still inside the painting, watching. Hold on this moment, close.
The camera pushes in slowly and continuously from the first second to the last and never cuts: it ends close, just behind the collector's shoulder, with the portrait filling the frame. Restrained supernatural effect, clear escalation, believable human reaction. The girl and her parents always look like oil paint, never like real people. Avoid: extra people, a second collector, a second girl, moving parents, gore, blood, comedy, morphing faces, warped limbs, flicker, on-screen text, subtitles, watermark.
One continuous chase-cam take. A person drops into Sydney Harbour, tears across the red Outback, skims the Indian Ocean, blasts over snowy peaks and Europe at sunset, then sweeps along the Thames and lands on Westminster Bridge: a real touchdown, a crouch and a rise into a hero pose. The shot ends on a generated end frame, so you can make it you: create your own London end frame first, then run the flight.
The end frame for the Australia to London flight: one person standing on Westminster Bridge at dusk, Big Ben glowing behind them, in a grounded hero pose. Swap the reference photo for a photo of yourself and generate. Then use your still as the last frame of the flight video.
A 15-second, zero-cut steadicam fight in a 1990s action-movie look: from a steamy hotel kitchen through swinging doors into a golden banquet hall, improvised props, hits synced to a racing tango, and a slow-motion finish into a champagne pyramid. Replace the first frame with your own hero in your own location and rewrite the props and finishing move.
