Preview of You, Landed in London
Aspect ratio 16:9
CinematicImageNew

You, Landed in London

The end frame for the Australia to London flight: one person standing on Westminster Bridge at dusk, Big Ben glowing behind them, in a grounded hero pose. Swap the reference photo for a photo of yourself and generate. Then use your still as the last frame of the flight video.

Opens Splice with the model, prompt, settings and reference media loaded in the generator. New to Splice? You'll sign up first, free. New accounts get 100 free credits — enough for this one.

Model & settings

Model
Google Nano Banana 2
Cost
≈ 5.8 credits per generation (about $0.06)
Aspect ratio
16:9

Prompt

The person in Image 1, same face, hair and outfit (charcoal bomber jacket open over a white t-shirt, slim black trousers, white trainers), standing on the pavement of Westminster Bridge in London at dusk, a moment after landing from flight. Wide shot from about eight metres away at a three-quarter angle, the camera slightly to their right at chest height, level, not looking up: they are small in the frame, head to toe only about 40 percent of the frame height, standing just right of centre with plenty of bridge pavement in front of them and sky above, body turned three-quarters toward the camera, face visible. A grounded hero pose: feet planted shoulder-width apart, hands resting on their hips, shoulders back, chin slightly raised, a calm confident half-smile. Hair still wind-tousled, jacket just settling. A little loose dust and a few autumn leaves drifting down around their trainers. Behind them along the river: Elizabeth Tower (Big Ben) with its clock face lit warm gold and the Houses of Parliament beside the Thames, the bridge's ornate green lamp posts glowing, a deep orange and violet dusk sky. Photorealistic, cinematic 16:9 frame, natural skin texture, natural light only. No glow, no light rings or effects on the ground, no text, no signs, no logos, no captions, no watermark.

Reference media

Loaded into the generator with the template. Swap in your own in Splice.

By Film Fun · used 8×
Browse all
  • Aspect ratio 16:9
    CinematicVideo
    FeaturedNew

    Gothic Portrait: The Missing Daughter

    MiniMax H3 Max Turbo

    90 credits

    Fifteen seconds of gothic suspense, one continuous push-in. A collector studies a Victorian family portrait with a gap where the daughter should stand. A creak, he turns, and when he looks back she is there. The canvas bulges, a small painted hand grips the frame, and she starts to pull herself out while her painted parents watch. Built from a start frame and an end frame, so the story always lands.

    Use template
  • Aspect ratio 16:9
    CinematicVideo
    FeaturedNew

    Australia to London in 15 Seconds

    MiniMax H3

    180 credits

    One continuous chase-cam take. A person drops into Sydney Harbour, tears across the red Outback, skims the Indian Ocean, blasts over snowy peaks and Europe at sunset, then sweeps along the Thames and lands on Westminster Bridge: a real touchdown, a crouch and a rise into a hero pose. The shot ends on a generated end frame, so you can make it you: create your own London end frame first, then run the flight.

    Use template
  • Aspect ratio 16:9
    CinematicVideo
    New

    Banquet Brawl — One-Take Fight

    MiniMax H3 Max Turbo

    90 credits

    A 15-second, zero-cut steadicam fight in a 1990s action-movie look: from a steamy hotel kitchen through swinging doors into a golden banquet hall, improvised props, hits synced to a racing tango, and a slow-motion finish into a champagne pyramid. Replace the first frame with your own hero in your own location and rewrite the props and finishing move.

    Use template